Please, answer the questions below about our website .

Your opinion is valuable to us

 

What is the reason for your visit to the Conservation of Works of Art of the National Gallery website?

 

Did you find useful and interesting information about the Conservation of Works of Art during your visit?

 

What is your view on the content and design of the interactive exhibits (games, animation);

 

What is your opinion on the design and content of the digital sections on Conservation Conservation section;

 

What do you think you know about design and content of the educational section Conservation for children;

 

Did you find it easy to access and navigate the site's content?

 

What else would you like to see on the website about Conservation of Art Works?

 

Thank you for completing our questionnaire !

 

Imaging techniques

Technical examinations of images, called imaging techniques, provide information in the form of visuals. Photography is the simplest imaging technique. Its use is very important before any conservation work starts, and it also provides invaluable information during and after the completion of restoration and maintenance work. A key advantage of imaging techniques is that a work can by examined in a non-invasive manner. These techniques use both visible (visible range) and invisible radiation waves. They are able to take advantage of the full electromagnetic spectrum. The types of invisible radiation used in the study of art are ultraviolet radiation (that type we safeguard against when under sunlight), infrared (a type of radiation often used as a heat source), and X-ray (which is often used for medical imaging). Some of these types of radiation have wavelengths that can be "seen" and recorded by a multispectral imaging camera. The information obtained every time depends on the camera and light bulbs used as well a the work being examined. Imaging techniques can provide information about the construction of a work, and other pertinent information, like whether a work has previously restored sections or whether a painting has any underpainting, a painting invisible to the naked eye which is located below the visible painted surface. The results can be especially impressive when examining works that have invisible painted layers and underpainting!

ΓΙΑ ΤΗΝ ΟΜΑΛΗ ΠΕΡΙΗΓΗΣΗ ΣΤΟΝ ΚΟΜΒΟ

ΠΡΟΤΕΙΝΕΤΑΙ Η ΧΡΗΣΗ ΣΥΣΚΕΥΗΣ ΥΨΗΛΟΤΕΡΗΣ ΑΝΑΛΥΣΗΣ